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Queer Enchantments: Gender, Sexuality, and Class in the …

Queer Enchantments: Gender, Sexuality, and Class in the Fairy-Tale Cinema of … – Anne E. Duggan – Google Bøger

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To the uninitiated, the films of French New Wave director Jacques Demy can seem strange and even laughable, with their gaudy color schemes and sung dialogue. Yet since the late 1990s, a generation of queer filmmakers in France have found new inspiration in Demy’s cinema. In this volume, author Anne E. Duggan examines Jacques Demy’s queer sensibility in connection with another understudied characteristic of his oeuvre: his recurrent use of the fairy tale. In Queer Enchantments: Gender, Sexuality, and Class in the Fairy-Tale Cinema of Jacques Demy, Duggan demonstrates that Demy uses fairy-tale devices to explore and expand the identity categories of his characters, while he broadens the possibilities of the genre of the fairy tale through his cinematic revisions. In each chapter, Duggan examines how Demy strategically unfolds, challenges, and teases out the subversive qualities of fairy-tale paradigms. In chapter 1, Duggan reads Demy’s Lola and The Umbrellas of Cherbourg through the lens of “Cinderella” and “Sleeping Beauty,” while in chapter 2, she explores Demy’s revision of Charles Perrault’s “Donkey Skin” from the particular angle of gay aesthetics. In chapter 3, Duggan situates Demy’s rendition of The Pied Piper in relation to a specifically Franco-American tradition of the legend, which thus far has not received critical attention. Finally, in Chapter 4, she examines the ways in which Demy’s Lady Oscar represents the undoing of the figure of the maiden warrior. An epilogue reads Demy’s fairy-tale cinema as exemplary of the postmodern tale. Duggan shows that Demy’s cinema heightens the inherent tensions and troubles that were already present in fairy-tale texts and uses them to illustrate both the constraints and utopian possibilities of the fairy tale. Both film and fairy-tale studies scholars will enjoy Duggan’s fresh look at the distinctive cinema of Jacques Demy.

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The Buddhist Swastika and Hitler’s Cross: Rescuing a Symbol …

The Buddhist Swastika and Hitler’s Cross: Rescuing a Symbol of Peace from … – T. K. Nakagaki – Google Bøger

The swastika has been used for over three thousand years by billions of people in many cultures and religions—including Buddhism, Jainism and Hinduism—as an auspicious symbol of the sun and good fortune. However, beginning with its hijacking and misappropriation by Nazi Germany, it has also been used, and continues to be used, as a symbol of hate in the Western World. Hitler’s device is in fact a “hooked cross.” Rev. Nakagaki’s book explains how and why these symbols got confused, and offers a path to peace, understanding, and reconciliation. Please note: Photographs in the digital edition of the books are in color. Photographs in the print edition are in black and white.

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